MIKE S.O.S IS GOD!

OLDE YORK
EMPIRE STATE
COUNTDOWN
Maintaining the classic NYHC sound and a no frills DIY mindset from the days of yore, Olde York comes barreling down the lane with an authentic 12-track tour de force entitled EMPIRE STATE. Embodying the spirit of hardcore’s CBGB Sunday matinee glory days while skillfully blending the styles of acts such as Cro Mags, Warzone, Sick of It All and Leeway (whose singer Eddie Sutton makes a cameo here) into one big gang chorus pile-on, this Big Apple quartet makes no bones about their roots or their allegiance to the underground by pumping out anthemic pit pleasers like “Five Year Plan” and “Still Believe”. Think hardcore died after CB’s shut its doors? Olde York will make you think twice. www.countdownrecords.com -Mike SOS

CANDLEMASS
DEATH MAGIC DOOM
NUCLEAR BLAST
Swedish doom metal pioneers Candlemass return with a refined sense of confidence with their latest offering, the eight-track DEATH MAGIC DOOM. Comfortably settling into yet another round of changes (most notably on the vocals), Leif Edling and company showcase that they are still able to conjure feelings of dread and despair straight from the Black Sabbath playbook (“Hammer of Doom”) with grace and respect but not without interspersing their own bells and whistles (as well as some kick ass solos) into the mix. This veteran unit maintains mid-paced mauling tempos for the most part, yet at times opt for the upbeat with success (“Dead Angel”) while the powerful tandem of killer vocals and memorable riffs propel tracks like “House of 1000 Voices” into the upper echelon of the slow, deep, and hard. Candlemass snaps back into fine form on their latest affair, exhibiting an unforeseen energy that boldly pushes their brand of doom metal into exhilarating new worlds. www.nuclearblastusa.com -Mike SOS

EMPIRE OF DUST
PROMO 2008
SELF-RELEASED
Modern metal mayhem comes courtesy of NYC’s Empire of Dust, whose four-song sampler displays a unit who sharpened its teeth on a steady stream of Slayer riffs and Swedish thrash with a discernible New York death metal influence. Logistically laying down a genuine sense of brutality in between setting off an array of pummeling grooves a la Lamb of God at their most seething (“2”), this band, which boasts ex-members of NYHC fixture Indecision as well as Entorturement, steamrolls over the opposition with a healthy dosage of metallic melody for the heavier-minded. www.myspace.com/empireofdust -Mike SOS

THE HUMAN QUENA ORCHESTRA
THE POLITICS OF THE IRREDEEMABLE
CRUCIAL BLAST
Patience is required to properly experience the latest offering from The Human Quena Orchestra, as this Bay Area drone duo upkeep a sordid and suspenseful atmosphere throughout the duration of THE POLITICS OF THE IRREDEEMABLE. Immersed in dark waves and dissonant swirls of industrial feedback, this six-track excursion’s calculated slow-crawl accentuates an overall foreboding tone, intensified when scattershot screams of terror and dread rise from the abyss. Yielding a vacuous apocalyptic din, this tandem successfully serve up a sluggish soundtrack to the final days of mankind. www.crucialblast.net -Mike SOS

EAST FOREST
THE EDUCATION OF THE INDIVIDUAL SOUL
AQUILO
East Forest is NYC by way of Pacific Northwest entity that provides a unique musical endeavor that melds field-recorded nature sounds, pulsating New Age beats, and meditative piano into its framework of THE EDUCATION OF THE INDIVIDUAL SOUL. Bolstered with a picturesque soundscape whose airy ivory tinklings and puffy bass lines radiate relaxing hues of transcendental light, this one-man project concocts an ambitious journey into the fragile human psyche, thwarting modern life’s static with a translucent barrage of calming music exposing the duality of the human existence. www.eastforest.org -Mike SOS

IGNOMINIOUS INCARCERATION
OF WINTER BORN
EARACHE
UK death metal mavens Ignominious Incarceration’s truncated technical torrents of dastardly death metal is bound to garner the quintet the well-deserved attention and accolades from those who appreciate bands who exercise the difficult task of balancing ferocity and brevity. Manning a full-on ambush with all of the expected death metal tactics and weaponry in tow, the path this neophytic unit follows seems a bit too well tread on the surface, but upon closer inspection this squad manages to expertly compose elements of old school devastation and beatdown deathcore together to coexist in utter disharmony (“In The Face of Absolution”), working in symbiosis in fighting the same battle to destroy at all costs. Explosive yet refined for such a young act, if you've ever pined for a cross between the brain-rattling dynamics of Suffocation and the warmongering malice of Amon Amarth (“Of Winter Born”, “Elusion of Mortality”), this band delivers. www.earache.com -Mike SOS

BLINDING EYE DOG
PROLOGUE
SELF-RELEASED
Maryland quintet Blinding Eye Dog exhibit a boisterous brand of punk on the troupe’s 18-track offering PROLOGUE. Fueled with an irreverent sense of humor (“Super Action Monster Man”, “Duck Duck Goose (In A)”) that matches the lo-fi high energy vibes (“Assassin”) and pervasive beer-swilling devil may care street punk attitude on cuts such as “Barbara” and “The Line”, this freewheeling act makes it pretty apparent that it doesn't take itself too seriously yet still pumps out a raucous strain of reckless rock (“Shame”). Definitely sounding best after a couple of pints while some of your more mischievous friends plot the ensuing evening’s shenanigans, Blinding Eye Dog reinforce the simple yet effective piss and vinegar punk rock straight from the back alley. www.myspace.com/blindingeyedog -Mike SOS

THINNING THE HERD
DEVIL MASK
SELF-RELEASED
Scraping the seedy underbelly of the Big Apple with enormous rock riffs,NYC trio Thinning the Herd return with another batch of stonerriffic hard rock chock full of grit and substance on the five-track DEVIL MASK. Bridging the gap between the heavier side of grunge and the groovier side of metal, tracks like “Kitchen Sink” summon a ‘90s power rock vibe kind of like Monster Magnet meeting up with Soundgarden while “Uninformed” strikes with the subtlety of a punch square in the gut and “Simple Job” rocks like the best song your favorite Swedish stoner rock band never wrote. If you enjoy in your face music with an exhilarating rock ‘n roll aura, Thinning the Herd is a bonafide choice for a hellacious good time. www.myspace.com/castrosbeard -Mike SOS

VANMAKT
AD LUCIFERI REGNUM
PULVERISED
Far from reinventing the wheel yet capable to drum up some scare with their competent yet common strand of evil blackened metal, nefarious Swedish troupe Vanmakt blast their way through nine-tracks of misanthropic misery on AD LUCIFERI REGNUM. Dispersing a maelstrom of tremolo-picked madness (“Reincarnation Hatred”, “The Ascension”), this band employs a large sum of tried and troo genre tactics and nuances to hammer its menacing message through unsuspecting skulls, yet it should be noted that if you already pledge allegiance to the most sadistic from the Nordic states, there’s nothing here you haven't experienced before. Nonetheless, Vanmakt does an acceptable job of conjuring the spirits of the underworld and should appeal to those who like a mix of symphonic death metal with a bit more bite. www.pulverised.net -Mike SOS

VARIOUS ARTISTS
DOOM (TRANSITIVE VERB)
SELF-RELEASED
A triple slab o’ doom oozes from your speakers courtesy of a three-way split disc from a caustic mix of bands rising up from the recesses of the deep sure to give little children nightmares and keep neighborhoods on lockdown. Up first is Evoken, a veteran New Jersey funeral doom troupe whose chilling offering “In Solitary Ruin” masterfully sets the bleak tone for this collection with a firm handle on down tempo despair. Oak take the reigns next with an understated touch of death metal sprouting up in between the detached devastating riffs heard on “Gates Are Open”. Rounding out the triad of tragic triad, Black Roller Crop Rotation takes the affair to a whole new level of grim thanks to “Prayers From the Rotten Soil”, featuring a bevy of experimental leanings forming a cacophony of undistinguishable vocal squeals, jet-propeller-esque swirls of dissonance, and hypnotic industrial noise. You've been warned. www.myspace.com/oakdoom -Mike SOS

CELAN
HALO
EXILE ON MAINSTREAM
Celan is a noise rock supergroup of sorts, featuring musicians from flu.ID, Unsane, Oxbow, and Einsturzende Neubauten collaborating to form a massive musical force which defies convention yet keeps an hand on the aggression throttle. This collective’s debut offering HALO melds acerbic abrasive noise rock, atmospheric ambience, bluesy melancholy, and clobbering hardcore into 11 engaging tracks custom made for those who demand post-hardcore explorations to plow deeper. With Chris Spencer’s trademark belligerent bark leading the charge, tracks like “All This and Everything” pack a familiar yet ferocious wallop while a judicial keyboard presence float in and out, allowing for an unpredictable array of shapeshifting moods to proliferate (“One Minute”, “Sinking”, “Washing Machine”). Ambitious without alienating its built-in audience, Celan boldly goes into new lands with all of the member’s strengths on full blast. www.mainstreamrecords.de -Mike SOS

IMPIETY
TERROREIGN
AGONIA
As brutal as a Singapore cane shot to the skull, Impiety does their homeland proud once again with another blistering blackened thrash release entitled TERROREIGN. Laden with a diabolical attitude which assists the impending decent into hell (“As Judea Burns”), this 10-track sojourn into the chasm of evil melds crass old school death metal ideologies a la Hellhammer and Morbid Angel with a genuine sense of hatred fueling the apocalyptic one-two vocal assault and divebomb friendly guitar combination (“Bestial to the Bone”). Maintaining a frantic pace throughout while summoning the minions of the underworld to rise and fight the light to the death (“Goatfather”), Impiety’s caustic delivery and over the top metal wares catapult this veteran unit back to the head of extreme metal’s most sadistic acts. www.agoniarecords.com -Mike SOS

SLOUGH FEG
APE UPRISING!
CRUZ DEL SUR
Veteran underground traditional metal outfit Slough Feg have been known to walk a bit on the wild side throughout the course of their twenty plus year proto-metal existence and this unit’s latest release bares no exception. Interspersing the squad’s patented eccentricities with a confident swagger straight out of 1978 for all to see, the triumphant and tumultuous eight-track endeavor APE UPRISING takes it back to a time when metal was still in its gestation stage, slugging it out with punk rock rebellion and glam rock excess. Customarily springing from an impenetrable foundation of Sabbath, Maiden, and Thin Lizzy, Slough Feg have comprised a sci-fi concept album based around a simian overtaking of the world to a pulsating old school metal soundtrack laden with the sort of killer vintage tones and stellar musicianship that marvelously melds the dazzling twin guitar and pounding rhythmic wares of UFO, Judas Priest, and other luminaries from the seminal NWOBHM days. Slough Feg’s most recent disc renders a durable and dependable lesson in metal with a smorgasbord of exhilarating twists and turns along the way. www.cruzdelsurmusic.com -Mike SOS

BURIAL HORDES
DEVOTION TO UNHOLY CREED
PULVERISED
Greek black metal merchants Burial Hordes employ the primitive approach on their evil eight track sojourn into the abyss titled DEVOTION TO UNHOLY CREED. Armed with raw production values for an authentic black metal in the basement feel (“Hellborn”), a slew of skewered guitar riffs that range from jarring to muddy, and an unearthly vocal presence that sounds as if it crawled out of the catacombs, tracks like “Infernal Necromancers” beguiles diabolical urges to come to fruition while “God’s Cutthroat” and “Abysmal Goatfeast” carry an impact to stand on their own, yet are forebodingly sandwiched in between a disturbing chant whose ominous tone solidifies each track’s morbid sense of dread and despair. Sinister and sinewy with a vicious bark and venomous bite, Burial Hordes have unleashed a vitriolic album that gives praise to its predecessors while unrepentantly damning the rest of society. www.pulverised.net Mike SOS

OCEANO
DEPTHS
EARACHE
Chicago-bred quintet Oceano stake a claim of being the most pissed-off band on the planet, and if you could decipher the cavernous musings of vocalist Adam Warren and what he was screaming and growling about, they may be right, as the viscous racket adorning cuts like the slow-churned "Disgust for Your Kind" and the frantic fury of "District of Misery" do work as evidence for a lively debate. Make no mistake, the vocals (despite hard to comprehend) are a strongpoint, solidifying this outfit's abrasive viciousness with a twist to rival peers like Emmure, Misery Signals, and All Shall Perish for the new heavy crown. The 13-track debut DEPTHS firmly stands its ground with a batch of rote yet bombastic low-end grooves, keeping things both excruciatingly bottom-heavy and brutal, yet resonate with an all too standard delivery within the deathcore paradigm. Luckily, Oceano picks up momentum as the album rolls along, managing to venture a bit off the threadbare path of palm-muted breakdown bliss in key spots to implement nuances such as symphonic black metal texture and crisp solos, yet ultimately fall flat in relying on prototypical old hat genre maneuvers that undoubtedly score big in a moshpit of dayglow shirts and bad haircuts yet yield overwrought results on disc. www.earache.com -Mike SOS

DEVILS WHOREHOUSE
BLOOD & ASHES
REGAIN
Devils Whorehouse unashamedly mimic virtually every significant nuance from the Danzig playbook, starting with the rebel punk of The Misfits, bridging into the experimental discord of Samhain before culminating with a hybrid of the multitude of sounds from Glenn's eponymous offerings through the years, so if you're looking for something original, you've been warned. If you want to hear worship and tribute done to perfection (by a band who were once a Misfits/Samahain cover band no less) however, this Swedish squad's admirable affection of the works of the Evil Elvis is spot-on, covering all eras faithfully while producing an uncanny vocal likeness that this lot (featuring members of Marduk) nail down with howling furies intact. In fairness, this crew conveys a bit more than blind Danzig homages, as their admirable death 'n roll packs a wallop here as well, but BLOOD & ASHES' most glaring point of reference precariously sits as its biggest strength and crippling weakness. www.regainrecords.com -Mike SOS

MOTHRA
DYES
SELFMADEGOD
Polish metalcore quartet Mothra present a succinct seven-track excursion on DYES. This offering blends a potpourri of extreme styles together to form a math-y, sludgy monster that channels death metal aggression and hardcore abrasiveness with hints of grindcore madness ("Squant") and dastardly dissonance for an extra bite ("Hooloovoo"). Creating a sonic atmosphere where brevity and brutality go hand in hand, this unit fuses a slew of off-kilter elements from all corners of the extreme metal paradigm forming a brash offshoot of band reminiscent of the likes of Poison the Well, Entombed, Gojira, and Botch, making this act essential for those who champion a heavy hybrid spirit. www.selfmadegod.com -Mike SOS

DESTROY DESTROY DESTROY
BATTLE SLUTS
BLACKMARKET ACTIVITIES
Destroy Destroy Destroy's sophomore effort showcases a multi-faceted metal attack that blends Viking metal might and symphonic black metal grandiosity with a perpetual classic metal vibe running throughout this unit's 12-track affair entitled BATTLE SLUTS. Meshing the styles of 3 Inches of Blood, Manowar, and Children of Bodom within the confines of a war-torn battlefield, this battle-hungry sextet bash out a histrionic blast of fantasy metal that goes perfect with a pair of 12-sided dice and a stack of Conan the Barbarian novels ("Agents of Hypocrisy"). Borrowing a chunk of their style from the epic and power metal fields (especially referenced via the atmospheric keyboard presence permeated throughout) while slaying with a convincing twin guitar battering ("Born of Thunder", "The Wretched Forrest"), those who enjoy metal with a medieval twist will have little problem tuning into this band of warrior's theatrical offering. www.blackmarketactivities.com -Mike SOS

ENSOPH
REX MUNDI X-IIE
CRUZ DEL SUR
Industrial Italian act Ensoph create a chaotic cybermetal experience on the 12-track REX MUNDI X-IIE, setting their apocalyptic visions to a frenetic soundtrack that chillingly juxtaposes harsh electronic noises, Gothic overtones and metallic aggression ("Shame on You!"). Tracks like "Dance High and Shine, Shiva!" shares as much in common with the eeriness of Marilyn Manson as it does the synthetic throb of KMFDM, while "Thir(s)ty Pieces of Silver" sounds like a Dream Theater track defiantly trapped in a Tron-like maze. Championing a futuristic tone chock full of Front Line Assembly-esque mechanical madness leading the charge, this sinister shapeshifting unit's presentation is far from fresh yet it yields enough intriguing moments (their cover of "Would" by Alice in Chains in particular) to keep the middling PVC-donned EBM and darkwave contingent content. www.cruzdelsurmusic.com -Mike SOS

ORCUSTUS
ORCUSTUS
SOUTHERN LORD
An authentic blast of malefic black metal arrives from the depths of depravity courtesy of Norwegian troupe Orcustus, whose eponymous full-length debut comes some seven years after this troupe's initial introduction. Serving a barrage of vintage buzzsaw riffs ("Jesus Christ Patricide") and hellacious vocal rasps that wouldn't sound out of place from lauded black metal affairs of yesteryear ("Of Sophistry, Obsession, and Paranoia"), this unit (who can't seem to keep a lineup intact) project grim ideals direct from the bowels of the abyss. Featuring ex-members of groundbreaking outfits Gorgoroth and Enslaved, this squad's display of volatility and viciousness renders a bleak and raw old school assault ("Conversion"), conjuring an ominous sense of hatred and dread with every drum blast and bombastic bass reverberation ("Death and Dissolution"). Perfect for those who flock to the darkness, Orcustus has made a simple yet effective album cloaked in chaos and evil to the bone. www.southernlord.com -Mike SOS

ARISE
THE RECKONING
REGAIN
Swedish death thrash outfit Arise provide 10-tracks of straight from the textbook Gothenburg-style metal on THE RECKONING. Despite this nimble quintet far from groundbreaking delivery, the spot-on fury ("No Memory of Light") and enormous arsenal of breakneck riffs and melodic breaks they employ are cleverly composed with a well-proportioned mix of familiar twists and meat and potatoes mashings which effortlessly fuses The Haunted and In Flames ("End of Days"). Exhibiting metalcore sensibilities with a reverence for the genre's pioneers in mind, the latest from Arise is a solid and satisfying affair whose unwavering by the numbers approach rings out with sinister sincerity. www.regainrecords.com -Mike SOS

DECEIVER
THRASHING HEAVY METAL
PULVERISED
There's nothing deceptive regarding the 10-track lean and mean high-grade meets lo fi old school assault Sweden's Deceiver lays on the ears, as this trio's tumultuous din captures the darker nuances of the golden age of thrash without sounding rehashed or forced. Whether it be the tortured vocals and primitive skin bashing tandem heard on "Dead to the World" and "Machinery of God" or the grimly grandiose feel emanating from "Graveyard Lover" and the instrumental "Legacy", even though THRASHING HEAVY METAL yields a strange sensation that you've heard this all before if you own a Priest, Entombed, or Mercyful Fate album or two, this squad's inspired interpretations rise above usual reference points to provide an enjoyable travel back through time. Tacking on a vicious streak laden in vitriolic vehemence, this unit's display of vintage metal will get the job done for fans of the rawer side of extreme metal's first wave. www.pulverised.net -Mike SOS

LANDING PROJECT
HERE GOES EVERYTHING
SELF-RELEASED
NYC poppy punk rock troupe Landing Project return with HERE GOES EVERYTHING, a solid seven-track excursion that exhibits the unit's versatile array of angsty anthems bursting with melody ("Yea, Exactly"). Taking cues from acts like Against Me, this quartet writes hook-laden tunes sizzling with barbed lyrical bite, opting to sing about more personal topics instead of social messages ("Turn Up Your Stereo"). Tapping into the sound of punk rock's bare essentials with a flair for dramatics ("Butterscotch"), Landing Project inject their simple yet effective approach with an honest heaping of soul, giving the slightly undercooked production with punchy delivery a raw emotional rush that copiously spills from the speakers. www.myspace.com/landingproject -Mike SOS

ENDSTILLE
VERFUHRER
REGAIN
Warmongering German black metal squad Endstille attack once again with VERFUHRER, a scathing and abrasive nine-track affair. Incessantly blasting your skull with pounding percussion and decaying your ears with blood-curdling vocal rasps, this maliciously militant outfit doles out diabolical doses of mid-paced malevolence ("Symptoms") whose razor sharp buzzsaw guitars cut to the bone ("Depressive/ Abstract/ Banished/ Despised"). Assuredly exhibiting a keen sense of dynamics by implementing slower waves of intensity to its arsenal ("Endstille") while maintaining the band's trademark penchant for administering skull-crushing barrages of monolithic crust-laden fury ("Hate Me...God?"), Endstille 's blackhearted single-minded approach conveys intense waves of blast beated and tremolo picked madness with just the right touches of innovation to shape this release's belligerent battlefield aura. www.regainrecords.com -Mike SOS

CAULDRON
CHAINED TO THE NITE
EARACHE
Canadian metal trio Cauldron provide a traditional slab of metal that conjures up a slew of intertwined influences on the nine-track CHAINED TO THE NITE. From the album's Spinal Tap-esque artwork depicting a naked woman bound in chains to the unit's darkened blend of 80's melodic metal and NWOBHM, Cauldron's points of reference are prickly and don't always gel well together, resulting in quite a few instances of clunky cheekiness whose waning flashes of power quickly fizzle out before they can attain any sense of momentum. While displaying moments of promise ("Midnite Hour"), this release takes a while to warm up to, ultimately rendering a confusing listening experience that radiates with an oddball sense of familiarity that keeps only the most ardent of metal purists intrigued. www.earache.com -Mike SOS

SAMAEL
ABOVE
NUCLEAR BLAST
Decisively leaning towards the black metal roots of their early endeavors, Swiss metal veterans Samael return with a pummeling 11-track offering entitled ABOVE. Toning down the industrial elements commandeering the band's more recent discs (although a protruding electronic drum trigger is seamlessly inescapable) while amping up the vitriolic black metal velocity to previously unheard levels ("God Snake", "Virtual War"), Samael's brazen assault is adorned with layers of symphonic keyboards and bludgeoning tremolo guitars ("Illumination") fortifying a listening experience laden in scorn. Realizing their sojourn back to the glories of their early days while carrying over a handful of the strongest nuances from their latter-day releases for a modern twist on old themes ("On the Top of it All"), by manipulating metal's darker side and embracing their past, Samael snaps back to a furious form that leads the quartet back into the depths of the abyss. www.nuclearblastusa.com -Mike SOS

EPHEL DUATH
THROUGH MY DOG'S EYES
EARACHE
Experimental Italian outfit Ephel Duath are renowned for developing collections of distinct metallic left turns, but this time this now-reduced down to a trio readily take on a different yet equally daunting task of conveying a canine's perspective of the world to music on their latest disc THROUGH MY DOG'S EYES. This ambitious nine-track excursion is chock full of dizzying riffs that part the seas between noisy jazz and avant garde metal ("Guardian") woven into a barrage of non-linear compositions stockpiled with heady interludes and juggernaut vocals ("Bella Morte") set to a warped array of odd-time signatures ("Bark Loud") . Despite the album's preposterous premise, Ephel Duath manage to keep the subject matter blunt and concise. turning out an provocative batch of progressive metal in the process. Challenging to novices, Ephel Duath continue to carve their own unique marks into the metal tree of life. www.earache.com -Mike SOS

PRONG
POWER OF THE DAMN MIXXXER
13TH PLANET
Tommy Victor turned the original mixes from Prong's latest disc POWER OF THE DAMAGER over to some of his technically-advanced musician friends to remix and POWER OF THE DAMN MIXXXER is the end result. This 13-track endeavor showcases the behind the boards prowess of metal peeps such as Jon Clayton (Pitchshifter) and Greg Puciato (Dillinger Escape Plan) whose cosmetic cleansings and synthesized twiddlings give tracks like "The Banishment" (a song covered by two different mixes here) a throbbing makeover that pulsates with a bastardized concoction of industrial metal heft and electronic bounce ("Changing Ending Troublng Times"). Providing a ton of opportunities to take the rage to the dance floor ("Looking for Them") while laying a virtual perfect soundtrack down to a dark and futuristic action-adventure flick, Prong's latest is not only is a show of respect from the artists who contributed their own spin to Prong's genuine rawness but supplies a great deal of industrial strength metal to take the party into the morning light. www.prongmusic.com -Mike SOS

I SEE STARS
3-D
SUMERIAN
Young Michigan troupe I See Stars have melded elements of modern hardcore and screamo with electronica on their debut 3-D to create a catchy but disheveled 11-track affair. Haphazardly cut and pasting modern dance synths into power punk rock songs, this quintet's ready for Warped Tour juxtaposition of styles comes off forced and even clumsy at times (especially during the heavier moments) yet renders momentary flashes of triumph when the vocoder-enhanced vocals meeting chugging choruses that alt rock radio crave come a knockin' ("3D", "The Big Bad Wolf"). Throw in a cameo from one of the rappers from Bones Thugs N Harmony and instant street cred gets applied, yet this troupe's tepid attempt to get to the top of the Hot Topic list falls flat, especially when redundant breakdown parts from screechy melodies rears its worn head. www.sumerianrecords.com -Mike SOS

CRESCENT SHIELD
THE STARS OF NEVER SEEN
CRUZ DEL SUR
California power metal unit Crescent Shield display a gallant galloping metal assault on their latest nine-track disc THE STARS OF NEVER SEEN. Championing a traditional metal style bursting with steel-plated melodies, this quartet's histrionic choruses are contagious ("Temple of the Empty"), rivaling those at the top of the power metal mountain ("The Bellman", "10,00 Midnights Ago") while the rampant guitar and soaring vocal combination elicits a much-warranted delight for headbangers of all ages to embrace ("The Grand Horizon"). This troupe exhibit the versatility to both shred and alter mood, shifting focus between rousing metal and pensive moments of reflection for a well-rounded all killer no filler feel. Seamlessly meshing the best of Blind Guardian, Iced Earth, and Queensryche while contorting elements from metal's pioneers such as Dio and Maiden, Crescent Shield's formidable flurry of aggression is fortified with an articulate attention to detail which ties their thunderous heavy metal roar with a supple dash of passion. www.cruzdelsurmusic.com -Mike SOS

EBENEZER
A TRIUMPH OF COLOSSAL ACHIEVEMENTS
SELF-RELEASED
Taking the DIY hands-on approach with their music to the extreme, Pennsylvania instrumental duo Ebenezer provide a well-measured blend of style and substance on their six-track offering A TRIUMPH OF COLOSSAL ACHIEVEMENTS. Besides teaming jaw-dropping flashes of virtuoso percussion and fretwork with a wise beyond their years sense of composition that channels everyone from Maiden to The Fucking Champs ("Warlock Owl"), this tandem's release comes inside of a hand-sewn fabric case, rendering an exquisite hearftfelt vibe that most run of the mill locals just can't match up to. If you have a hankering for vocal-less music with an eye opening showcase of balls and bite, look no further than Ebenezer's latest affair. www.myspace.com/epicebenezer -Mike SOS

THE BAKERTON GROUP
EL ROJO
WEATHERMAKER
Bonafide 21st Century bluesmen The Bakerton Group unleash their second experimental musical adventure the 10-track offering EL ROJO. Yielding a galactic listening experience chock full of heady jams and wicked instrumental breaks, this alter ego outfit of alt metal kingpins Clutch (with vocalist Neil Fallon trading in cunning lyrics and clever vocal deliveries for rhythm guitar) perfectly displays the sound of world class musicians collectively digging deeper, unearthing a smorgasbord of styles that implementing dub rock ("Work 'Em"), funk ("Chancellor"), and freewheeling jazz rock laden with '70s keyboard explosions (thanks to Opeth's Per Wiberg ), and alto sax flourishes. Taking their main band's patented left of center approach off to uncharted territory, The Bakerton Group's odyssey is undeniably constructed from Clutch's impenetrable foundation, yet EL ROJO independently stands as a next level triptastic delight for fans of groovy improvisational rock to imbibe and enjoy. www.weathermakerrecords.com -Mike SOS