DODSFERD - SUICIDE AND THE REST OF YOUR KIND WILL FOLLOW
I cannot lie, I was beginning to get a little concerned here that these guys (well "guy", really) were going to flood us with album after album and lose all specialness they once had. Lo, was I wrong. This latest slayer has only two tracks, one over 20 minutes and one more than 16 minutes and interject plenty of mood and atmosphere to quickly quell any doubts about them, er, him. Hey, to me less is more, but it's okay if more is the good kind of more. This is really moody. I hate overusing words, but I mean it here. It doesn't get too fast, but it does pierece the skin slowly and painfully. Dodsferd can curse us with as many alubms as they damn well please, and use me as a sacrifical lamb if they'd so like! (FA)
MORIBUND RECORDS
www.moribundcult.com, orders@moribundcult.com
HORDE OF HEL - BLODSKAM
Well isn't this cute, these guys want to remain all anonymous and stuff as to who they are. Sounds like a "Blodskam" to me! Oh I'm so kidding, relax already! Just when you started to think that Scandanavian metal may be lacking due to overexposure and selling-out and other such foolishness, here cometh a new, refreshing, and kickass dose of black metal mania and industrial-laced lunacy to reassure you. Crushing, doomy in parts, like a hammer striking the perpetual anvil that is you, Horde of Hel unleash Hel and leave no surviviors accounted for. Don't take my words for it, take this 14 song nihilistic plunge your damn self! (FA)
MORIBUND RECORDS
www.moribundcult.com, orders@moribundcult.com, www.myspace.com/heldivine, www.youtube.com/hordeofhel
Thursday, April 30, 2009
MARTHA MARTHA MARTHA!
Southern Lord Signs THE ACCUSED
Southern Lord Records is pleased to announce the signing of legendary Seattle splatter rock kings THE ACCUSED! Said label head Greg Anderson: "THE ACCUSED and guitarist Tommy Niemeyer were basically responsible for turning me onto hardcore/punk and underground metal. If it wasn't for me witnessing THE ACCUSED slay the audience -- and me -- in 1985 I may be writing this today!"
Added Niemeyer on joining the Southern Lord roster: "Because we are a pretty unclassifiable band, THE ACCUSED has had a rough time finding a label who really knows what this band is about; that our fans are all over the place demographically. Greg Anderson at Southern Lord is the guy who totally 'gets it' when it comes to THE ACCUSED. He knows exactly 'how metal' we are and 'how punk' we are and all the other weird shit in between that makes The Accused what it is: splatter rock. Hooking up with Anderson and the great staff of Southern Lord is the best thing that's happened with this band in a long time. It feels like THE ACCUSED are strapped onto a huge bottle rocket and Greg's about to light the fuse."
The band will enter the studio with uber producer Billy Anderson (Melvins, Neurosis, Brutal Truth, Cattle Decapitation, High On Fire etc) to record 14 new tunes. Appropriately titled The Curse Of Martha Splatterhead, the release will mark their first full-length studio effort in four years. The band will be making several live appearances in support of their new opus, including a freshly announced slot at SuperSonic Festival in Birmingham England July 25, 2009 alongside Corrupted and Thorr's Hammer. Prepare to hear a lot more from Martha and the boys via Southern Lord in the very near future! You have been warned...
http://www.splatterrock.com
http://www.myspace.com/kingsofsplatter
http://www.southernlord.com
http://www.myspace.com/southernlordrecordings
CURTAIN CALL
Mesmerizing black-doom monolith BROWN JENKINS have currently finished writing for their next (and final) album, Death Obsession. The album will be seven tracks and 40-plus minutes, and will also feature artwork by Dennis Dread (Darkthrone, Abscess, Phobia). Reports mainman UA, the music on Death Obsession is “much heavier/darker than Angel Eyes but also catchier, more intense. It combines some of the slowest stuff I've written so far with some of the most abstract/aggressive. The songwriting is also very different...much more technical, I guess. As one would guess [by the title], the focus of the entire LP is simply death.” For more info, consult www.myspace.com/brownjenkins13 and www.moribundcult.com.
RED LIGHT GREEN LIGHT
PAPSMEAR
MUSIC TO KILL BY
METAL WAR
Just by perusing the booklet defunct Las Vegas thrash band Papsmear accompanies their retrospective MUSIC TO KILL BY with, you can tell these guys were at the forefront of their scene, as homemade flyers touting shared bills with the likes of COC, Pestilence, and Hirax can attest to. Armed with a feral thrash metal attack that always appeared to be on the brink of falling apart, this band who really never made it out of Vegas combines blistering speed, sneering vocals, whammy bar antics, and lyrical discourse taken straight from the playbook to comprise their style. This multi-faceted collection boasts live recordings, demos, and a DVD of the good old days when beer was cheap, girls were easy, and posers were soundly disposed of or at the very least according to the live shows heard here, resoundly heckled and harassed from the lead singer's microphone. Diehard thrash maniacs will need this, but there's way better stuff, both reissued and current, out there to check out before you have to dig into this one. www.metalwarprod.com -Mike SOS
BECOMING THE ARCHETYPE
DICHOTOMY
SOLID STATE
Christian metal troupe Becoming the Archetype and producer Devin Townsend have made a monstrous modern metal album called DICHOTOMY. This 10-track affair packs gargantuan riffage, pummeling bass lines, grandiose keyboards, and gruff vocals into every track, but isn't afraid to wield an acoustic for some sweet classic metal interludes ("St. Anne's Lullaby", "How Great Thou Art") or go Pink Floyd with a female singer/piano combo ("Deep Heaven"). Teetering between the progressive and melodeath end of the spectrum, fans of In Flames and Strapping Young Lad will definitely want to get their hands on this one. www.solidstate.com -Mike SOS
IRONWEED
INDIAN LADDER
SMALL STONE
Albany, NY quintet Ironweed take matters into their own hands on debut disc INDIAN LADDER. Boasting ex-members of Greatdayforup, this band displays sludgy stoner metal chops on cuts like "Thorn" and "Rid The Earth" yet make a fair share of intriguing detours within the metal spectrum on tracks like "Lifeless Coil" and "Penny for Your Prayers" to keep your smoked skull active. Brimming over with dirty grooves, thick riffs, and a solid vocal performance that cohesively ties it all together, Ironweed nicely fills the gap left by Alabama Thunderpussy while throwing in choice chunks of metallic goodness a la Down for that kick in the ass listening experience you've been craving. www.smallstone.com -Mike SOS
SCALE THE SUMMIT
CARVING DESERT CANYONS
PROSTHETIC
Scale the Summit's captivating alliance of guitar wizardry with adventurous musical compositions sounds like a cross between the forward-thinking The Fucking Champs and the cathartic charge of Pelican on their second effort CARVING DESERT CANYONS. This invigorating unit's jostling eight-track excursion is an instrumental metal fan's dream come true, as this technically proficient quartet put on a veritable musician's clinic to disc ("Glacial Planet") while skillfully investing the listener emotionally without assistance from any vocals ("City in the Sky"). Rousing and rocking, Scale the Summit lack of stuffiness is what helps them excel so well in getting their point across, as this band doesn't just blow your face off with flurries of flawless runs and fills but writes heartfelt and hearty progressive rock jams bursting with the aforementioned for a multi-faceted assault not just restricted to the progressive sect. www.prostheticrecords.com -Mike SOS
NOISM
+-
CRUCIAL BLAST
Noism consists of guitar and drum machine unleashing sonic batterings of cybergrind at dangerous BPM's. Armed with a disturbingly cold and robotic rampage, this 12-track affair reaps 20+ minutes of aural menacing complete with electronically manipulated drum poundings incessantly jackhammering into your cerebrum while blistering guitars fade in and out of the barrage of percussive insanity. This album will drive you mad if you allow its chaotic cadence to envelope your ears long enough, as Noism's representation of mechanized madness is truly devoid of any sense of stability. www.crucialblast.com -Mike SOS
BIONIC
BLACK BLOOD
SIGNED BY FORCE
Canadian rock outfit Bionic deliver a galactic group of good times rock tonnage on their bombastic 10-track attack BLACK BLOOD. Bad to the bone rhythms ("Learn to Love the Government") and fuzzed-out jams ("Theme for a Young Lion") collide with a marching band ("Freedom Now, Baby") for the supercharged cruise through the desert in a muscle car vibe. Honkytonk piano, rowdy horns and badass guitar bends are tatooed all over this disc, subtlety exposing hard rock's gritty underbelly without a hint of restraint ("Econo Tusk", "Soft as Magarine"). Dripping with attitude reinforced with a smattering of soulful rock 'n roll, this disc melds the freewheeling natures of Queens of the Stone Age, Fu Manchu and Clutch together for a raucous ride rocks fans will clamor for. www.signedbyforce.com -Mike SOS
GOJIRA
THE WAY OF ALL FLESH
PROSTHETIC
The latest album from Gojira solidifies this French quartet's place amongst metal's elite, as this avant-garde unit's extraordinary juxtaposition of crushing and progressive elements is stretched past the point of reproach on the 12-track THE WAY OF ALL FLESH. Fueled by an ecological mindset which sets the lyrical tone of take care of Mother Earth or else, this squad doles out a harbinging mix of epic death metal complete with dizzying time signature switches and waves of doom metal monotony ("The Art of Dying") and industrial strength grooves that simply brutalize ("Toxic Garbage Island", "Yama's Messengers"), while challenging your ears with superlative blasts of sonic excess ("Vacuity"). Providing a bevy of dazzling dynamic shifts and a haunting black metal intensity throughout ("Wolf Down the Earth"), Gojira has created a unique strand of metal music that gets better after every listen. www.prostheticrecords.com -Mike SOS
BY ANY MEANS NECESSARY
BY ANY MEANS NECESSARY
SELF-RELEASED
Texas metal quartet By Any Means Necessary lay down a furious thrash meets modern metal clobbering on their three-track eponymous endeavor. Imagine Chimaira going toe to toe with Exodus ("Discord of War") for an idea of what kind of beatdown to be prepare for. Throw in some some tasty Pantera-esque guitar runs and a powerful rhythm section's exuding brute force and allow the headbanging to begin. This disc delivers sharpened blows of metallic might with flashes of Bay Area glory and a nasty attitude hammering it home. www.myspace.com/byanymeansnecessary -Mike SOS
GUILLOTINE
BLOOD MONEY
PULVERIZED
Sweden's Guillotine slay the world with their authentic brand of hostile thrash metal on the reunited unit's latest 12-track affair BLOOD MONEY. Melding blistering speed, groovy riffs, and disciplined rhythms, there's a whole lot of Kreator and Exodus in these guy's bag of tricks as tracks like "Insane Oppression" and "War" denote, yet there's also a Sacred Reich-esque vibe permeating from cuts like "Die/Live?" and some sweet apocalyptic lyrical content in "Our Darkest Day". And of course, being from Sweden, how can you play thrash and not borrow a bit from The Haunted ("Welcome to Dying")? A rousing slab of headbanging and tasty riffs abound, Guillotine bind a strong cross-section of elements that make great thrash metal together, developing a stirring offering for those who enjoy an insatiable need for speed wrought in wrath. www.pulverized.net -Mike SOS
PRO-PAIN
NO END IN SIGHT
REGAIN
16 years on the job and still going strong chugging out memorable heavy tuneage, Pro-Pain follows up their recent string of solid offerings with NO END IN SIGHT. This 11-track endeavor finds Gary Meskil and crew pumping the usual meat and potatoes hardcore metal might with the blue collar work ethic that warrants this band's hard nosed reputation ("Halo", "Let The Blood Run Through the Streets"), yet there's some discernible switches happening throughout NO END IN SIGHT that really stand out given their tried and true formula. The increased implementation of melody, especially vocally (and clean-sung at that), is a pretty stark diversion for this veteran act, as it gives off a modern hardcore approach to cuts like "All Rise" and "Hour of the Time" while allowing this troupe to include another choice layer to its already menacing arsenal. Add in a sterling guest guitar spot by Cannibal Corpse's Rob Barrett ("Pheonix Rising") and bagpipes for a stomping pub rock feel ("Go It Alone") to the band's stalwart hardcore metal delivery for more hints of deviation to the steamroller sound championed since Pro-Pain's inception and you can mark this disc as yet another durable release from an always reliable unit with some unexpected aural surprises making perfect fits into their punishing paradigm. www.ragainrecords.com -Mike SOS
TOTAL FUCKING DESTRUCTION
PEACE LOVE AND TOTAL FUCKING DESTRUCTION
ENUCLEATION
Total Fucking Destruction provide an unusual socio-apocalyptic musical experience meshing offbeat bursts of grindcore mired in jackhammered repetition with an unabashed thumb at the nose punk attitude kicking down the door on the irreverent 23-track assault titled PEACE LOVE AND TOTAL FUCKING DESTRUCTION. Menacing at times ("Anyone But Me") yet consistently maintaining an upbeat and bright feel not unlike SOD ("Grindcore Salesman", "Doublespeaker"), Brutal Truth grind guru Rich Hoak pulls double duty on drums and vocals here, conducting the ensuing madness while flailing away on the kit like an escaped convict on the lam. Hurling heaps of biting commentary about the state of the world into the mantra-like lyrics of this frenetic centrifuge only makes the room spin faster and the urge to hang on for dear life that much more tangible, as TFD have furnished a vociferous rollercoaster ride through society's gritty underbelly on this acerbically expedient expedition. www.enucleationrecords.com -Mike SOS
WETNURSE
INVISIBLE CITY
SEVENTH RULE
Malleable NYC metal unit Wetnurse whip up another furious flurry of forward thinking metal on the quintet's latest effort INVISIBLE CITY. This extreme eight-track excursion eagerly runs up and down the aisles in the heavy metal supermarket, grabbing everything in sight, chucking it into a brooding battleship-like shopping cart for their diabolical devourment. Channeling the vocal gymnastics of Candiria, the efficient instrumental elegance of Baroness, the dynamic dissonance of Dillinger Escape Plan, and the disenchanted discourse of Today is the Day, this squad squarely bridges the gap between modern metal waters on cuts like the mesmerizing "Conversations With the Moon" and the demonically-charged "Show Your Spell Miss Hell". Best absorbed via uninterrupted listen, Wetnurse's sweeping stylistic shifts seamlessly meld into each other to form an elaborate tapestry of crushing avant garde metal whose vivacious musicianship raises the bar on what the amalgamation of adventurous and battering should sound like. www.seventhrule.com -Mike SOS
BIBLE OF THE DEVIL
FREEDOM METAL
CRUZ DEL SUR
Hey man, is that FREEDOM METAL, man? Well, turn it up, man! Yeah, that's the vibe the latest eight-track affair which Chicago's defenders of the faith Bible of the Devil emits, right down to the gruff yet glittery Paul Stanley meets Paul D'ianno vocal caterwaul of Matt Hoffman . Tracks like "Womanize" maintain a classic metal feel by keeping the genre's traditional sounds and structures intact with unfettered authenticity while the terrifically-reworked twin guitar mayhem and galloping rhythms featured throughout reek with familiarity yet rock so hard you don't care that you've heard it all before from a Priest or Scorpions album from the mid '70s. Not shy in paying homage to their influences in the most respectful of ways, this album is a slamming affair that will have any classic metalhead and gray beard worth their salt scrambling through their closet for the old school denim jacket with the Maiden patch on the back. And so what if "Ol' Girl" apes Thin Lizzy down to the tee, the band does an admirable job of dramatizing what a modern-day Lynott may come up with, so relax a bit, chug a brew and sit tight and enjoy this time machine joyride Bible of the Devil have stepped up and supplied. www.cruzdelsurmusic.com -Mike SOS
DIMENSION ZERO
HE WHO SHALL NOT BLEED
CANDLELIGHT
Boasting an impressive pedigree (featuring members of Soilwork and In Flames) and a penchant for punishment, Swedish melodic death metal troupe Dimension Zero return with its fourth installment of brutality with HE WHO SHALL NOT BLEED. This 11-track effort merges blistering thrash with diabolical death 'n roll, relying heavily on a ferocious flurry of relentless riffs, pummeling rhythms, and vicious vocals on tracks like "Going Deep" and the furious title track while tracks like "Red Dead Heat" and the slightly more melodic "Hell Is Within" hammer the group's metallic points into your skull with boisterous blunt force. Despite its noticeable lack of tempo variation, the continuously frantic pace set here plays up Dimension Zero's strengths, allowing the listener to throw caution to the wind and headbang to heart's content with reckless abandon. www.candlelightrecordsusa.com -Mike SOS
SUGAR RED DRIVE
SUGAR RED DRIVE
SELF-RELEASED
Poughkeepsie, NY modern rock mavens Sugar Red Drive have fused a wealth of familiar sounds together assuring a readiness for rock radio dominance on the quartet's eponymous 11-track debut. Huge hooks, driving guitars, and a solid vocal performance bolster hard rockers like "Comin' Down" and tender moments like "Millers Child", instantly cramming these guys in between Three Days Grace, Theory of a Deadman, and Hinder in the battle to knock Nickelback off the top of the mountain. Providing a durable batch of tunes that are easy to hum along to ("Grace") or rock out to ("One More Time"), Sugar Red Drive display an uncanny acumen for making rock music aimed for hockey arenas and sports highlight reels. www.myspace.com/sugrareddrive -Mike SOS
LECHEROUS NOCTURNE
THE AGE OF MIRACLES HAS PASSED
UNIQUE LEADER
South Carolina quintet Lecherous Nocturne bust out from the gates of the netherworld with a devastating eight-track excursion in tow titled THE AGE OF MIRACLES HAS PASSED. This blistering and brutal unit (featuring members of Nile and Monstrosity) rip and tear with a dastardly death meet black metal amalgamation on cuts like the pulverizing "We Are As Dust" and the exasperating slow crawl of the title track. Providing a compact (this disc only runs 28 minutes long) yet complete aural bludgeoning, this release brims over with an uncompromising array of surprisingly memorable moments bordering on catchy ("Requiem for the Insects") in between its chaotic abrasiveness, swiftly catapulting this act to the top of the extreme metal fold. www.uniqueleader.com -Mike SOS
XYSTUS
EQUILIBRIO
SENSORY
Dutch metal project Xystus surpasses typical rock opera expectations on the troupe's latest grandiose expose entitled EQUILIBRIO. This brazen theatrical affair boasts a cast and crew over 130 members strong, including a massive choir reserved for religious celebrations and a show-stealing full scale orchestra to properly carry mainman's Bas Dolmans' epic vision to life. Highlighted by the immense vocal talents of Simone Simons (Epica) and George Oosthock (Orphan) as major characters, this sweepingly majestic presentation's ace in the hole can be found via the symphonic might and bold pomp the orchestra doles out, cutting through the competent power metal backdrop at just the right times to stir up drama, create tension, and enrich the entire production with its captivating sparkle and shine. This is one not to miss if you enjoy progressive metal at its most bombastic as well as a piece of work which screams to be experienced with all accoutrements intact. www.lasersedgegroup.com -Mike SOS
CAPRICORNS
RIVER, BEAR YOUR BONES
RISE ABOVE
UK instrumental metal menaces Capricorns inject an undercurrent of visceral volatility into their latest sludgy sojourn RIVER, BEAR YOUR BONES. Setting off a dastardly stoner rock feel that trades genre-typical flashes of excess for barrages of skull pounding passages that could easily be mistaken for pit stomping hardcore if not for the spacy interludes in between , this eight-track affair contorts without compromise, showcasing its metallic malleability with every doom-laden riff ("5") and dramatic shapeshifted rhythm hammered out ("1", "3"). Boasting former members of Iron Monkey and Orange Goblin in its ranks explains and bolsters the sheer heaviness this squad exudes while intertwining the wares of usual suspects such as Pelican, Isis, Neurosis, Baroness, and Mastodon, an arduous task that Capricorns takes on with a triumphant arsenal of prolific yet pounding avant-garde atmospheric metal chops. www.riseaboverecords.com -Mike SOS
WE INSIST!
OH! THINGS ARE SO CORRUPTIBLE
EXILE ON MAINSTREAM
Freewheeling French troupe We Insist! throw convention to the wind on their latest release OH! THINGS ARE SO CORRUPTIBLE, weaving a durable alternative metal safety net channeling Faith No More, Primus, Clutch and System of A Down while embedded impressions of quirky rock and a predominant level of jazz (propelled by a call and response between the patented twin saxophone presence) assert importance. This 12-track offering sweeps through speakers with determined density, at times displaying the frantic power of a renegade juggernaut on the lam ("Time is Lazy", "The Sailor") while demonstrating a love for the dark and cinematic ("Early Recollections", "Half Awake") . Capturing an unorthodox amalgamation of rhythmic swerves, psychedelic grooves and whiskey-soaked jangle , this oddball sextet's bottomless bag of intriguing musical textures amped with an intoxicating intensity bestow tracks like "Imperial Catechism" a hearty stomp and "The Great Disorder" an icy chill. This disc's herky-jerky nature and off the grid train of thought is not for everyone, but for those who crave more creativity in their rock music, this one delivers. www.southern.com -Mike SOS
THYRFING
HELS VITE
REGAIN
Swedish Viking metal veterans Thyrfing have undergone some lineup changes (most notably vocally) since their last offering in 2005, yet this quintet seems to have gained strength from the shakeup and have decisively become darker in the process. HELS VITE is the troupe's icy seven-track statement, a releases which comes complete with a proper balance of menacing guitars, gargantuan drums, tortured growls, and keyboard flourishes driving cuts like "Griftefrid" straight down into the depths of Hell, while "Isolation" works under a deliberate pace while emitting dramatic blackened vibes accentuated with acoustic guitar interludes and battleground horns that you'd expect from any corpsepainted crew a cut above the median. If you're a fan of bombastic black metal with an evil streak a mile wide, HELS VITE provides all the nuances necessary to get your demonic kicks. www.regainrecords.com -Mike SOS
NASHVILLE PUSSY
FROM HELL TO TEXAS
SPV
Sticking to the cowpunk attitude meets raw rock 'n roll formula they've been championing for over a decade, Nashville Pussy returns with another batch of road ready boogie friendly whiskey-soaked hellbound tunes on the 12-track FROM HELL TO TEXAS. Never ones to shy from subtleties, songs like the fiery "I'm So High" and "Drunk Driving Man" are self-explanatory accounts direct from the hard living rock lifestyle, while tracks like "Pray for the Devil" showcase Ruyter Suys' formidable Gibbons meets Perry guitar chops and "Why Why Why" and "Late Great USA" display this tandem's ability to pump out contagious hand-clapped and cowbell friendly hooks that get the whole crowd moving. Bursting at the seams with songs about drugs, drinking, drinking, and drugs, Nashville Pussy continues its chug on its raucous rock route, huffed up on whatever they can get their paws on, not afraid to share a taste of its non-stop country-fried rock attack. www.spvusa.com -Mike SOS
OMNIUM GATHERUM
THE REDSHIFT
CANDLELIGHT
Finnish sextet Omnium Gatherum, fresh off their last release STUCK HERE ON SNAKE'S WAY, return with another 11-track endeavor entitled THE REDSHIFT. This melodic death metal unit's latest batch of tunes demonstrates this act's versatile composition skills, as this album branches out from the usual melodeath malaise long enough to dabble in Goth metal, progressive, and doom for a more revealing glimpse at a band who,despite making headway, still seem to be searching for their niche. While tracks like "Shadowkey" sound a bit rote and par for the In Flames meets Dark Tranquility course, tracks like the mid-tempo mauling brought on by "Shapes and Shades" give off Machine Head-esque power, instrumental "Song for December" provides a welcomes somber break in the action and "No Breaking Point" and "Greeneyes" cleverly intertwine the wares of Moonspell and Katatonia for an intriguing dip into the gloom and doom realm. Ominum Gatherum's well-versed metal approach keeps listeners engrossed throughout yet a bit more fine-tuning may sharpen this squad's output for the next time around. www.candlelightrecordsusa.com -Mike SOS
RABID RABBIT
RABID RABBIT
INTERLOPER
Two bassists, minimal vocals, and swirls of dense psychedelic avant garde metal arrive via Chicago's Rabid Rabbit on the crew's latest jaunt, an elitist-friendly vinyl-only eponymous seven-track affair. Sounding like a cross between Sonic Youth, Melvins, and Giant Squid, this foursome fearlessly hammers out a cavalcade of over your head noise rock mired in sludge metal low-end rhythms ("First Blood") and free-form jazz structure while the atmospheric fretwork allows aerial acrobatics in tracks like "Ephederine" to shine. Thirsty ears looking for a challenge will warm up to the earthy tones and unorthodox style, but for those not seeking adventure, this may render a bit too sharp of a turn to get into. www.interloperrecords.net -Mike SOS
MUSIC TO KILL BY
METAL WAR
Just by perusing the booklet defunct Las Vegas thrash band Papsmear accompanies their retrospective MUSIC TO KILL BY with, you can tell these guys were at the forefront of their scene, as homemade flyers touting shared bills with the likes of COC, Pestilence, and Hirax can attest to. Armed with a feral thrash metal attack that always appeared to be on the brink of falling apart, this band who really never made it out of Vegas combines blistering speed, sneering vocals, whammy bar antics, and lyrical discourse taken straight from the playbook to comprise their style. This multi-faceted collection boasts live recordings, demos, and a DVD of the good old days when beer was cheap, girls were easy, and posers were soundly disposed of or at the very least according to the live shows heard here, resoundly heckled and harassed from the lead singer's microphone. Diehard thrash maniacs will need this, but there's way better stuff, both reissued and current, out there to check out before you have to dig into this one. www.metalwarprod.com -Mike SOS
BECOMING THE ARCHETYPE
DICHOTOMY
SOLID STATE
Christian metal troupe Becoming the Archetype and producer Devin Townsend have made a monstrous modern metal album called DICHOTOMY. This 10-track affair packs gargantuan riffage, pummeling bass lines, grandiose keyboards, and gruff vocals into every track, but isn't afraid to wield an acoustic for some sweet classic metal interludes ("St. Anne's Lullaby", "How Great Thou Art") or go Pink Floyd with a female singer/piano combo ("Deep Heaven"). Teetering between the progressive and melodeath end of the spectrum, fans of In Flames and Strapping Young Lad will definitely want to get their hands on this one. www.solidstate.com -Mike SOS
IRONWEED
INDIAN LADDER
SMALL STONE
Albany, NY quintet Ironweed take matters into their own hands on debut disc INDIAN LADDER. Boasting ex-members of Greatdayforup, this band displays sludgy stoner metal chops on cuts like "Thorn" and "Rid The Earth" yet make a fair share of intriguing detours within the metal spectrum on tracks like "Lifeless Coil" and "Penny for Your Prayers" to keep your smoked skull active. Brimming over with dirty grooves, thick riffs, and a solid vocal performance that cohesively ties it all together, Ironweed nicely fills the gap left by Alabama Thunderpussy while throwing in choice chunks of metallic goodness a la Down for that kick in the ass listening experience you've been craving. www.smallstone.com -Mike SOS
SCALE THE SUMMIT
CARVING DESERT CANYONS
PROSTHETIC
Scale the Summit's captivating alliance of guitar wizardry with adventurous musical compositions sounds like a cross between the forward-thinking The Fucking Champs and the cathartic charge of Pelican on their second effort CARVING DESERT CANYONS. This invigorating unit's jostling eight-track excursion is an instrumental metal fan's dream come true, as this technically proficient quartet put on a veritable musician's clinic to disc ("Glacial Planet") while skillfully investing the listener emotionally without assistance from any vocals ("City in the Sky"). Rousing and rocking, Scale the Summit lack of stuffiness is what helps them excel so well in getting their point across, as this band doesn't just blow your face off with flurries of flawless runs and fills but writes heartfelt and hearty progressive rock jams bursting with the aforementioned for a multi-faceted assault not just restricted to the progressive sect. www.prostheticrecords.com -Mike SOS
NOISM
+-
CRUCIAL BLAST
Noism consists of guitar and drum machine unleashing sonic batterings of cybergrind at dangerous BPM's. Armed with a disturbingly cold and robotic rampage, this 12-track affair reaps 20+ minutes of aural menacing complete with electronically manipulated drum poundings incessantly jackhammering into your cerebrum while blistering guitars fade in and out of the barrage of percussive insanity. This album will drive you mad if you allow its chaotic cadence to envelope your ears long enough, as Noism's representation of mechanized madness is truly devoid of any sense of stability. www.crucialblast.com -Mike SOS
BIONIC
BLACK BLOOD
SIGNED BY FORCE
Canadian rock outfit Bionic deliver a galactic group of good times rock tonnage on their bombastic 10-track attack BLACK BLOOD. Bad to the bone rhythms ("Learn to Love the Government") and fuzzed-out jams ("Theme for a Young Lion") collide with a marching band ("Freedom Now, Baby") for the supercharged cruise through the desert in a muscle car vibe. Honkytonk piano, rowdy horns and badass guitar bends are tatooed all over this disc, subtlety exposing hard rock's gritty underbelly without a hint of restraint ("Econo Tusk", "Soft as Magarine"). Dripping with attitude reinforced with a smattering of soulful rock 'n roll, this disc melds the freewheeling natures of Queens of the Stone Age, Fu Manchu and Clutch together for a raucous ride rocks fans will clamor for. www.signedbyforce.com -Mike SOS
GOJIRA
THE WAY OF ALL FLESH
PROSTHETIC
The latest album from Gojira solidifies this French quartet's place amongst metal's elite, as this avant-garde unit's extraordinary juxtaposition of crushing and progressive elements is stretched past the point of reproach on the 12-track THE WAY OF ALL FLESH. Fueled by an ecological mindset which sets the lyrical tone of take care of Mother Earth or else, this squad doles out a harbinging mix of epic death metal complete with dizzying time signature switches and waves of doom metal monotony ("The Art of Dying") and industrial strength grooves that simply brutalize ("Toxic Garbage Island", "Yama's Messengers"), while challenging your ears with superlative blasts of sonic excess ("Vacuity"). Providing a bevy of dazzling dynamic shifts and a haunting black metal intensity throughout ("Wolf Down the Earth"), Gojira has created a unique strand of metal music that gets better after every listen. www.prostheticrecords.com -Mike SOS
BY ANY MEANS NECESSARY
BY ANY MEANS NECESSARY
SELF-RELEASED
Texas metal quartet By Any Means Necessary lay down a furious thrash meets modern metal clobbering on their three-track eponymous endeavor. Imagine Chimaira going toe to toe with Exodus ("Discord of War") for an idea of what kind of beatdown to be prepare for. Throw in some some tasty Pantera-esque guitar runs and a powerful rhythm section's exuding brute force and allow the headbanging to begin. This disc delivers sharpened blows of metallic might with flashes of Bay Area glory and a nasty attitude hammering it home. www.myspace.com/byanymeansnecessary -Mike SOS
GUILLOTINE
BLOOD MONEY
PULVERIZED
Sweden's Guillotine slay the world with their authentic brand of hostile thrash metal on the reunited unit's latest 12-track affair BLOOD MONEY. Melding blistering speed, groovy riffs, and disciplined rhythms, there's a whole lot of Kreator and Exodus in these guy's bag of tricks as tracks like "Insane Oppression" and "War" denote, yet there's also a Sacred Reich-esque vibe permeating from cuts like "Die/Live?" and some sweet apocalyptic lyrical content in "Our Darkest Day". And of course, being from Sweden, how can you play thrash and not borrow a bit from The Haunted ("Welcome to Dying")? A rousing slab of headbanging and tasty riffs abound, Guillotine bind a strong cross-section of elements that make great thrash metal together, developing a stirring offering for those who enjoy an insatiable need for speed wrought in wrath. www.pulverized.net -Mike SOS
PRO-PAIN
NO END IN SIGHT
REGAIN
16 years on the job and still going strong chugging out memorable heavy tuneage, Pro-Pain follows up their recent string of solid offerings with NO END IN SIGHT. This 11-track endeavor finds Gary Meskil and crew pumping the usual meat and potatoes hardcore metal might with the blue collar work ethic that warrants this band's hard nosed reputation ("Halo", "Let The Blood Run Through the Streets"), yet there's some discernible switches happening throughout NO END IN SIGHT that really stand out given their tried and true formula. The increased implementation of melody, especially vocally (and clean-sung at that), is a pretty stark diversion for this veteran act, as it gives off a modern hardcore approach to cuts like "All Rise" and "Hour of the Time" while allowing this troupe to include another choice layer to its already menacing arsenal. Add in a sterling guest guitar spot by Cannibal Corpse's Rob Barrett ("Pheonix Rising") and bagpipes for a stomping pub rock feel ("Go It Alone") to the band's stalwart hardcore metal delivery for more hints of deviation to the steamroller sound championed since Pro-Pain's inception and you can mark this disc as yet another durable release from an always reliable unit with some unexpected aural surprises making perfect fits into their punishing paradigm. www.ragainrecords.com -Mike SOS
TOTAL FUCKING DESTRUCTION
PEACE LOVE AND TOTAL FUCKING DESTRUCTION
ENUCLEATION
Total Fucking Destruction provide an unusual socio-apocalyptic musical experience meshing offbeat bursts of grindcore mired in jackhammered repetition with an unabashed thumb at the nose punk attitude kicking down the door on the irreverent 23-track assault titled PEACE LOVE AND TOTAL FUCKING DESTRUCTION. Menacing at times ("Anyone But Me") yet consistently maintaining an upbeat and bright feel not unlike SOD ("Grindcore Salesman", "Doublespeaker"), Brutal Truth grind guru Rich Hoak pulls double duty on drums and vocals here, conducting the ensuing madness while flailing away on the kit like an escaped convict on the lam. Hurling heaps of biting commentary about the state of the world into the mantra-like lyrics of this frenetic centrifuge only makes the room spin faster and the urge to hang on for dear life that much more tangible, as TFD have furnished a vociferous rollercoaster ride through society's gritty underbelly on this acerbically expedient expedition. www.enucleationrecords.com -Mike SOS
WETNURSE
INVISIBLE CITY
SEVENTH RULE
Malleable NYC metal unit Wetnurse whip up another furious flurry of forward thinking metal on the quintet's latest effort INVISIBLE CITY. This extreme eight-track excursion eagerly runs up and down the aisles in the heavy metal supermarket, grabbing everything in sight, chucking it into a brooding battleship-like shopping cart for their diabolical devourment. Channeling the vocal gymnastics of Candiria, the efficient instrumental elegance of Baroness, the dynamic dissonance of Dillinger Escape Plan, and the disenchanted discourse of Today is the Day, this squad squarely bridges the gap between modern metal waters on cuts like the mesmerizing "Conversations With the Moon" and the demonically-charged "Show Your Spell Miss Hell". Best absorbed via uninterrupted listen, Wetnurse's sweeping stylistic shifts seamlessly meld into each other to form an elaborate tapestry of crushing avant garde metal whose vivacious musicianship raises the bar on what the amalgamation of adventurous and battering should sound like. www.seventhrule.com -Mike SOS
BIBLE OF THE DEVIL
FREEDOM METAL
CRUZ DEL SUR
Hey man, is that FREEDOM METAL, man? Well, turn it up, man! Yeah, that's the vibe the latest eight-track affair which Chicago's defenders of the faith Bible of the Devil emits, right down to the gruff yet glittery Paul Stanley meets Paul D'ianno vocal caterwaul of Matt Hoffman . Tracks like "Womanize" maintain a classic metal feel by keeping the genre's traditional sounds and structures intact with unfettered authenticity while the terrifically-reworked twin guitar mayhem and galloping rhythms featured throughout reek with familiarity yet rock so hard you don't care that you've heard it all before from a Priest or Scorpions album from the mid '70s. Not shy in paying homage to their influences in the most respectful of ways, this album is a slamming affair that will have any classic metalhead and gray beard worth their salt scrambling through their closet for the old school denim jacket with the Maiden patch on the back. And so what if "Ol' Girl" apes Thin Lizzy down to the tee, the band does an admirable job of dramatizing what a modern-day Lynott may come up with, so relax a bit, chug a brew and sit tight and enjoy this time machine joyride Bible of the Devil have stepped up and supplied. www.cruzdelsurmusic.com -Mike SOS
DIMENSION ZERO
HE WHO SHALL NOT BLEED
CANDLELIGHT
Boasting an impressive pedigree (featuring members of Soilwork and In Flames) and a penchant for punishment, Swedish melodic death metal troupe Dimension Zero return with its fourth installment of brutality with HE WHO SHALL NOT BLEED. This 11-track effort merges blistering thrash with diabolical death 'n roll, relying heavily on a ferocious flurry of relentless riffs, pummeling rhythms, and vicious vocals on tracks like "Going Deep" and the furious title track while tracks like "Red Dead Heat" and the slightly more melodic "Hell Is Within" hammer the group's metallic points into your skull with boisterous blunt force. Despite its noticeable lack of tempo variation, the continuously frantic pace set here plays up Dimension Zero's strengths, allowing the listener to throw caution to the wind and headbang to heart's content with reckless abandon. www.candlelightrecordsusa.com -Mike SOS
SUGAR RED DRIVE
SUGAR RED DRIVE
SELF-RELEASED
Poughkeepsie, NY modern rock mavens Sugar Red Drive have fused a wealth of familiar sounds together assuring a readiness for rock radio dominance on the quartet's eponymous 11-track debut. Huge hooks, driving guitars, and a solid vocal performance bolster hard rockers like "Comin' Down" and tender moments like "Millers Child", instantly cramming these guys in between Three Days Grace, Theory of a Deadman, and Hinder in the battle to knock Nickelback off the top of the mountain. Providing a durable batch of tunes that are easy to hum along to ("Grace") or rock out to ("One More Time"), Sugar Red Drive display an uncanny acumen for making rock music aimed for hockey arenas and sports highlight reels. www.myspace.com/sugrareddrive -Mike SOS
LECHEROUS NOCTURNE
THE AGE OF MIRACLES HAS PASSED
UNIQUE LEADER
South Carolina quintet Lecherous Nocturne bust out from the gates of the netherworld with a devastating eight-track excursion in tow titled THE AGE OF MIRACLES HAS PASSED. This blistering and brutal unit (featuring members of Nile and Monstrosity) rip and tear with a dastardly death meet black metal amalgamation on cuts like the pulverizing "We Are As Dust" and the exasperating slow crawl of the title track. Providing a compact (this disc only runs 28 minutes long) yet complete aural bludgeoning, this release brims over with an uncompromising array of surprisingly memorable moments bordering on catchy ("Requiem for the Insects") in between its chaotic abrasiveness, swiftly catapulting this act to the top of the extreme metal fold. www.uniqueleader.com -Mike SOS
XYSTUS
EQUILIBRIO
SENSORY
Dutch metal project Xystus surpasses typical rock opera expectations on the troupe's latest grandiose expose entitled EQUILIBRIO. This brazen theatrical affair boasts a cast and crew over 130 members strong, including a massive choir reserved for religious celebrations and a show-stealing full scale orchestra to properly carry mainman's Bas Dolmans' epic vision to life. Highlighted by the immense vocal talents of Simone Simons (Epica) and George Oosthock (Orphan) as major characters, this sweepingly majestic presentation's ace in the hole can be found via the symphonic might and bold pomp the orchestra doles out, cutting through the competent power metal backdrop at just the right times to stir up drama, create tension, and enrich the entire production with its captivating sparkle and shine. This is one not to miss if you enjoy progressive metal at its most bombastic as well as a piece of work which screams to be experienced with all accoutrements intact. www.lasersedgegroup.com -Mike SOS
CAPRICORNS
RIVER, BEAR YOUR BONES
RISE ABOVE
UK instrumental metal menaces Capricorns inject an undercurrent of visceral volatility into their latest sludgy sojourn RIVER, BEAR YOUR BONES. Setting off a dastardly stoner rock feel that trades genre-typical flashes of excess for barrages of skull pounding passages that could easily be mistaken for pit stomping hardcore if not for the spacy interludes in between , this eight-track affair contorts without compromise, showcasing its metallic malleability with every doom-laden riff ("5") and dramatic shapeshifted rhythm hammered out ("1", "3"). Boasting former members of Iron Monkey and Orange Goblin in its ranks explains and bolsters the sheer heaviness this squad exudes while intertwining the wares of usual suspects such as Pelican, Isis, Neurosis, Baroness, and Mastodon, an arduous task that Capricorns takes on with a triumphant arsenal of prolific yet pounding avant-garde atmospheric metal chops. www.riseaboverecords.com -Mike SOS
WE INSIST!
OH! THINGS ARE SO CORRUPTIBLE
EXILE ON MAINSTREAM
Freewheeling French troupe We Insist! throw convention to the wind on their latest release OH! THINGS ARE SO CORRUPTIBLE, weaving a durable alternative metal safety net channeling Faith No More, Primus, Clutch and System of A Down while embedded impressions of quirky rock and a predominant level of jazz (propelled by a call and response between the patented twin saxophone presence) assert importance. This 12-track offering sweeps through speakers with determined density, at times displaying the frantic power of a renegade juggernaut on the lam ("Time is Lazy", "The Sailor") while demonstrating a love for the dark and cinematic ("Early Recollections", "Half Awake") . Capturing an unorthodox amalgamation of rhythmic swerves, psychedelic grooves and whiskey-soaked jangle , this oddball sextet's bottomless bag of intriguing musical textures amped with an intoxicating intensity bestow tracks like "Imperial Catechism" a hearty stomp and "The Great Disorder" an icy chill. This disc's herky-jerky nature and off the grid train of thought is not for everyone, but for those who crave more creativity in their rock music, this one delivers. www.southern.com -Mike SOS
THYRFING
HELS VITE
REGAIN
Swedish Viking metal veterans Thyrfing have undergone some lineup changes (most notably vocally) since their last offering in 2005, yet this quintet seems to have gained strength from the shakeup and have decisively become darker in the process. HELS VITE is the troupe's icy seven-track statement, a releases which comes complete with a proper balance of menacing guitars, gargantuan drums, tortured growls, and keyboard flourishes driving cuts like "Griftefrid" straight down into the depths of Hell, while "Isolation" works under a deliberate pace while emitting dramatic blackened vibes accentuated with acoustic guitar interludes and battleground horns that you'd expect from any corpsepainted crew a cut above the median. If you're a fan of bombastic black metal with an evil streak a mile wide, HELS VITE provides all the nuances necessary to get your demonic kicks. www.regainrecords.com -Mike SOS
NASHVILLE PUSSY
FROM HELL TO TEXAS
SPV
Sticking to the cowpunk attitude meets raw rock 'n roll formula they've been championing for over a decade, Nashville Pussy returns with another batch of road ready boogie friendly whiskey-soaked hellbound tunes on the 12-track FROM HELL TO TEXAS. Never ones to shy from subtleties, songs like the fiery "I'm So High" and "Drunk Driving Man" are self-explanatory accounts direct from the hard living rock lifestyle, while tracks like "Pray for the Devil" showcase Ruyter Suys' formidable Gibbons meets Perry guitar chops and "Why Why Why" and "Late Great USA" display this tandem's ability to pump out contagious hand-clapped and cowbell friendly hooks that get the whole crowd moving. Bursting at the seams with songs about drugs, drinking, drinking, and drugs, Nashville Pussy continues its chug on its raucous rock route, huffed up on whatever they can get their paws on, not afraid to share a taste of its non-stop country-fried rock attack. www.spvusa.com -Mike SOS
OMNIUM GATHERUM
THE REDSHIFT
CANDLELIGHT
Finnish sextet Omnium Gatherum, fresh off their last release STUCK HERE ON SNAKE'S WAY, return with another 11-track endeavor entitled THE REDSHIFT. This melodic death metal unit's latest batch of tunes demonstrates this act's versatile composition skills, as this album branches out from the usual melodeath malaise long enough to dabble in Goth metal, progressive, and doom for a more revealing glimpse at a band who,despite making headway, still seem to be searching for their niche. While tracks like "Shadowkey" sound a bit rote and par for the In Flames meets Dark Tranquility course, tracks like the mid-tempo mauling brought on by "Shapes and Shades" give off Machine Head-esque power, instrumental "Song for December" provides a welcomes somber break in the action and "No Breaking Point" and "Greeneyes" cleverly intertwine the wares of Moonspell and Katatonia for an intriguing dip into the gloom and doom realm. Ominum Gatherum's well-versed metal approach keeps listeners engrossed throughout yet a bit more fine-tuning may sharpen this squad's output for the next time around. www.candlelightrecordsusa.com -Mike SOS
RABID RABBIT
RABID RABBIT
INTERLOPER
Two bassists, minimal vocals, and swirls of dense psychedelic avant garde metal arrive via Chicago's Rabid Rabbit on the crew's latest jaunt, an elitist-friendly vinyl-only eponymous seven-track affair. Sounding like a cross between Sonic Youth, Melvins, and Giant Squid, this foursome fearlessly hammers out a cavalcade of over your head noise rock mired in sludge metal low-end rhythms ("First Blood") and free-form jazz structure while the atmospheric fretwork allows aerial acrobatics in tracks like "Ephederine" to shine. Thirsty ears looking for a challenge will warm up to the earthy tones and unorthodox style, but for those not seeking adventure, this may render a bit too sharp of a turn to get into. www.interloperrecords.net -Mike SOS
Saturday, April 4, 2009
STICK AROUND.
STUCK MOJO - THE GREAT REVIVAL
This is the type of shit that just needs to stop, seriously. A new Stuck Mojo album? Who the fuck cares about a new Stuck Mojo album? I thought this was a joke at first, but no…it’s true. Stuck Mojo is clinging to the dream, folks. Stuck Mojo was synonymous with their vocalist Bonz, but he isn’t even the rapper for this band anymore. That’s almost like Dead Kennedys going on without Jello Biafra, or Iron Maiden going with Blaze Bailey as vocalist. It just doesn’t work. Stuck Mojo have had a new rapper/singer named Lord Nelson as their front man since 2006. It’s quite ridiculous when he sings the song, “15 Minutes of Fame,” because he wasn’t even in Stuck Mojo when the band briefly flirted with nu-metal success, thanks to touring with all those lame fucks who dominated the late ‘90’s-early 2000’s. To make this release even more laughable, almost every song on “The Great Revival” breaks into an awful chorus that is highly reminiscent of those harmonic pseudo-heavy rock bands with attractive female lead singers that were big about 5 years ago. I’m not saying that Lord Nelson sounds like a woman, but when he stops rapping and goes into singing the chorus, it sounds like something straight out of Lacuna Coil or Evanescence. It sounds like Stuck Mojo is trying to fit into the My Chemical Romance scene, but they fail miserably at it, because “The Great Revival” sounds outdated by popular culture standards. It’s a bit “too little, too late.” Stuck Mojo isn’t relevant anymore, and haven’t been for a long time. I honestly don’t think Stuck Mojo fans from back in the day would even care about this new album, especially since Bonz isn’t even in the band. I wish some bands out there, like Stuck Mojo, would learn this tragic hardship of rock n’ roll, and just go on and do different things rather than attempt to sound relevant and fail miserably at it under a familiar moniker. “The Great Revival” is an epic fail. Shame on you, “Stuck Mojo.” Shame on you. (Evil Matt)
NAPALM RECORDS
www.napalmrecords.com, nathan@napalmrecords.com, www.stuckmojo.us, www.myspace.com/stuckinthemojo
This is the type of shit that just needs to stop, seriously. A new Stuck Mojo album? Who the fuck cares about a new Stuck Mojo album? I thought this was a joke at first, but no…it’s true. Stuck Mojo is clinging to the dream, folks. Stuck Mojo was synonymous with their vocalist Bonz, but he isn’t even the rapper for this band anymore. That’s almost like Dead Kennedys going on without Jello Biafra, or Iron Maiden going with Blaze Bailey as vocalist. It just doesn’t work. Stuck Mojo have had a new rapper/singer named Lord Nelson as their front man since 2006. It’s quite ridiculous when he sings the song, “15 Minutes of Fame,” because he wasn’t even in Stuck Mojo when the band briefly flirted with nu-metal success, thanks to touring with all those lame fucks who dominated the late ‘90’s-early 2000’s. To make this release even more laughable, almost every song on “The Great Revival” breaks into an awful chorus that is highly reminiscent of those harmonic pseudo-heavy rock bands with attractive female lead singers that were big about 5 years ago. I’m not saying that Lord Nelson sounds like a woman, but when he stops rapping and goes into singing the chorus, it sounds like something straight out of Lacuna Coil or Evanescence. It sounds like Stuck Mojo is trying to fit into the My Chemical Romance scene, but they fail miserably at it, because “The Great Revival” sounds outdated by popular culture standards. It’s a bit “too little, too late.” Stuck Mojo isn’t relevant anymore, and haven’t been for a long time. I honestly don’t think Stuck Mojo fans from back in the day would even care about this new album, especially since Bonz isn’t even in the band. I wish some bands out there, like Stuck Mojo, would learn this tragic hardship of rock n’ roll, and just go on and do different things rather than attempt to sound relevant and fail miserably at it under a familiar moniker. “The Great Revival” is an epic fail. Shame on you, “Stuck Mojo.” Shame on you. (Evil Matt)
NAPALM RECORDS
www.napalmrecords.com, nathan@napalmrecords.com, www.stuckmojo.us, www.myspace.com/stuckinthemojo
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